Jazz Live Entertainment

As Roaming Twenty,

Jazz Live Entertainment

Jazz Live Entertainment
As Roaming Twenty, we have been so important in all the fabulous decades. In the era of the First World War (1914-19 18) and jazz era (1920), the United Staten’s largest social change was amended by the US Constitution. That is, according to the 19th Amendment, women can now vote, whose name is “Mother’s Mother Language”, and alcohol production, sale and transport of alcohol are prohibited, according to the 18th amendment, “prohibition” is called.

But what about fun things? What did a flapper or bullet lugger do to make alcohol, top and outside alcohol? And “fooled”?

If we look for our example in 1921, then there are some things which we have approved today.

First, what’s missing here:

(A.) There is no radio as good as a consumer. People, hobbyists, transmissions and home made Crystal sets listen. But in 1921 the radio still has little orphan nanny or inner Santana

(B) The record industry is not so little of any electronic phonograph. Your general Victorian hand cranked device, Spring-loaded, is not an addition to a natural unstructured bell-shaped horn. Ten-inch vinyl records, less cruelty, 78 revolutions per minute can play for 3 minutes.

Without radio, and without record, theoretically there is nothing to hear at home. Therefore, if you want to sit down and entertain you will have to leave your house and go to the city. To make your choice commercially restrict your city to large: (A) Vaudeville; (B) Valid theater, for example, a Broadway show; (C) burlesque; (D.) Night Club; (E.) Nickelodeon; For example, the movie theater.

As this article focuses on live entertainment, let’s leave the world of movies and movies and focus on living entertainers at the physical level.

“Goodwill” is a generic term for live shows that includes five travel companions, including travel shows and trips, and which show original ingredients or genius. “Headlines” or “Top Art” (which we call “stars”) work on half of them in Arius Circuit, their action periodically, six days a week, actors are known as “two days”. The most respected theater of the entire Vaudeville Circuit was the Palace of New York City, as new as 1913 (nine years old by 1921).

“Legal theater” refers to the full Broadway-style stage productions: musical instruments, operettas, plays, comedies, revues, follies. The word “legitimate” is required, because in general, when using the word “theater” or the word “stage”, it is possible that mentioning the stage of the landline or quadrant stage is not necessary at the Broadway level.

“Bureaucrat” refers to the notable, low-quality entertainment, parody, force, and well-known stage plays or mockery of music. Physical humor, such as Barclays lady and counseling humor, and women’s clothing (or men) losing their garment, but is not yet “feminine shows”, which would later become the dominant theme of the bureausac in the mid-1920s. Yes, there was a dispersal of “tits and ass” to headline male audiences, but not technically there was no striptease. Local law, the so-called “blue law,” prevents extreme displays. Barclays had its own document of the show business with its own theater circuit. Do not get confused at the beginning of the 1920s in the early 1920’s. – The infamous night is the year of Ranked Minn ski still far away.

The difference between Vaudeville and burlesque is subtle but distinct. The difference is the source of their target audience and their components. Vaudevillian features family-based entertainment that is “diversity” (the true, technical word of the 19th century), based on the original skill or original humor, a mix of entertaining, adult-oriented and varied nature, and its origin from popular value or deceit of well-known people or things. Entertainment value So, it is possible that the bureau site (insulting) law will visit the Vaudeville circuit, but in most of the Burlesque Circuit, the Vaudeville Act (singer, Jaguars, Strait Comedy) will get quite space. Visitors to a bureaus theater will not be interested in jugulars or acrobat or popular song singers or ballroom dancers.

A paid theater was either a vaudeville theater or a valid theater or burlesque theater. A given theater never mixes its style of entertainment, because its target audience is demographically unique and is not obsolete with the other two, such as a magazine fix its style and themes for the same reason. There are three separate theater circuits for each of the three styles of theater-based entertainment.

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